Prior to his masterclasses, Bream pointed out a composition that the students had to play before an internal jury who then selected the students who would participate in the masterclass.
In the eyes of us students Bream seemed to be a man who could be both very nice and extremely demanding and direct.
He had very clear ideas: for him, there were no half measures, music was there or not; and if it was not there, you had to work on everything (technique, interpretation, breathing, fingering, colours, dynamics...) until the result was achieved. Because of this way of thinking I appreciated him even more.
Through his recordings I admired him as a guitarist and through his lessons as an artist.
Head teacher Guitar at the Koninklijk Conservatorium Brussel