2. Passaggi et Affetti | Concert & Public Defense Peter Van Heyghen

Passaggi et Affetti | Concert & Public Defense Peter Van Heyghen

Passaggi et Affetti | Concert & Public Defense Peter Van Heyghen KCB 2025 (© Luc Verhelst)
Research activities
Data
,
14:00
to
17:30
Location
AMUZ (Flanders Festival Antwerp), Kammenstraat 81, 2000 Antwerp
Reservation
Reservation participation required via mail: Inge.Pieters@vub.be
More info
AMUZ (Flanders Festival Antwerp)

© Luc Verhelst

Passaggi et Affetti | Concert & Public Defense

Concert Passaggi et affetti & Phd in the Arts: The Place of the Recorder in the Performance of Italian Music, c.1600-1690 by Peter Van Heyghen.

Supervisors: Kristin Van den Buys, Marc Vanscheeuwijck.

Programme

14:00 – 15:15: Concert

15:30 – 17:30: Public Defense

Followed by a reception.

Musicians

Kateřina Blížkovská, mezzo-soprano
Peter Van Heyghen & Susanna Borsch, recorders
Joanna Huszcza, violin
Stephen Moran, violone
Nigel North, theorbo
Kris Verhelst, orgel, harpsichord

Passaggi et affetti

This concert programme presents instrumental and mixed vocal-instrumental North Italian repertoire from the first half of the seventeenth century, performed on recorders in accordance with contemporary instrumentation practices. 

Phd in the Arts: The Place of the Recorder in the Performance of Italian Music, c.1600-1690

Italian “Early Baroque” music has long captivated modern recorder players. But how significant was this instrument in the seventeenth century? What repertoire did it feature? Was it played by professionals, amateurs, or both? What sizes and types of recorders were used, and were there regional differences? These are the key questions this PhD seeks to answer, aiming to inspire modern recorder players to adopt a more culturally informed approach to performing this music.

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